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darus salam mosque/darussalamfoundationorg. hang them in the window, \u201clike they did at that pink mosque!\u201d we did and it was about 100x\u0027s more awesome than my idea kids are amaze-balls like that!. creative drawing for kids new 99 creative mosque projects resource of creative drawing for kids new. new mosque compelted in temple area: phillymosquecom . here\u0027s how the kids and i threw this party down. how to draw blue mosque. beautiful simple mehndi designs for hands 2016-simple henna designs tutorials. mehndi design sketch new mehndi design drawing at getdrawings . beautiful marked designs kids mehndi designs simple . simple arabic mehndi designs for hands step by step for beginners – youtube.

hey i am admin and you are looking at a rapid-fire art tutorial once you add light and shadow to your delineations you'll be able to create your subject come to life by making the illusion of kind and depth you can create a flat line drawing jump right off the page so as to shade better you'll have to follow 3 things pressure control the manner to shade smoothly and most significantly understand however light behaves i'm gonna walk you through all 3 things then we'll shade something along pressure control realistic shading is done by making a series of prices starting from lightweight to dark the tougher I pressed down on the pencil the darker the strokes portraits displaying a limited value vary can find yourself looking terribly flat whereas portraits with a wider value range will pop to have good pressure control apply shading from one end of your sketchbook to the opposite while pressing more durable and tougher until the values get darker bit by bit another way to observe is to draw an extended parallelogram and divide it into many squares fill the squares from right to left begin with the darkest value you can probably create and work your way towards the light-weightest it is important to maintain an identical pressure between every back-and-forth stroke or every individual stroke this may take some follow and concentration to develop the long-term memory type if you are interested in the tools i use and want to find out a lot of about the different pencil types look at the link below some tools can create shading easier for you however you fully don't need any special pencils to get started as a result of you can draw and shade realistically with pretty much something which will create light to dark marks here let me show you i'm getting to draw victimization this random stick I found in my kitchen once it's burnt I can use it a bit like a daily pencil my purpose is that unspecified pencil will do there's no reason why you will't start shading nowadays really the most vital thing is just to start the way to shade smoothly to shade smoothly try and eliminate major gaps between your strokes while maintaining sensible pressure management now it's tough to eliminate gaps if your pencil is sharp so what you'll be able to do is wear the pencil down until the tip is dull or use the side of the junction rectifier to draw so your strokes area unit thicker if your shading a large space and need to avoid these dark stripes avoid exploitation your writing grip while pivoting at the articulatio radiocarpea instead use an overhand grip and pivot from your elbow and shoulder to attain much longer strokes simply bear in mind to keep those strokes close together eliminating gaps which will create your drawing look scratchy understanding lightweight have you ever ever tried shading something over and over while not it trying even on the point of your subject for many beginners shading is maybe a game that is totally what it was for me till I learned a number of basics concerning light things just started making a lot of sense knowing wherever to properly add light or shadow can create a really big distinction

how realistic your design can encounter i am progressing to use a sphere to indicate the different components of sunshine because the patterns area unit a great deal easier to illustrate than a fancy type such as a nose as an example here we have a plain wood attached a light source coming down from the top left we've got 2 distinct aspects the sunshine side that is facing the light source and the shadow side which is turned away at the sting of our shadow we've one thing called a core shadow that may be a dark strip running on the boundary between the two sides the core shadow is most visible on a white table as a result of white is very reflective light rays come down bounce off the table and illuminates

the shadow aspect of the ball deed a dark band so as you'll see we've got two sorts of light direct light-weight associated reflected lightweight that is why shadows ar rarely all black there area unit such a large amount of things within the environment that lightweight will reflect off of walls near objects or perhaps mud particles floating around within the air do detain mind that black surfaces absorb light-weight thus during this example the core shadow is no longer visible going back to the image of the nose can you tell that areas square measure lit by mirrorions and wherever the core shadows are as mentioned earlier lightweight will reflect off of the many things in the setting but they have a difficult time bouncing their means into tight areas like the area where the ball touches the table this is called an occlusion shadow and this is a solid shadow which seems when a type blocks light from reaching another in this case the ball is obstructing lightweight from reaching the table the solid shadow can tell you where the light source is returning from all you have got to do is trace the edges against your object what number solid shadows are you able to notice on the nose let's go to the light aspect of the ball on this side there are only 3 things i need to show

there's the core light-weight which is that the area facing the light-weight directly then there is the high light that is really a reflection of the light-weight source this is often the brightest point on AN object the aspects will appear crazy matte surfaces like this picket ball or onerous on shiny surfaces like a plastic ball associated as unintuitive because it appears the high light-weight can change position looking on wherever you're standing the end thing our mid-tones or half-tones mid-tones are the darkest values on this side of the ball where the sides start bowed faraway from the sunshine supply these areas receive less and fewer light the a lot of the angle away are you able to show the core light highlight and mid-tones on the nose shade with me let's shade an apple together while not observing any reference images with our basic

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