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drawing by k c art, girl, woman, profile portrait, side view, vintage. shiva as lord of dance (nataraja), copper alloy, indian (tamil nadu. tandav 2. pencil sketch lord shiva face face sketch archives \u2013 page 2 of 19 \u2013 drawing sketch. today it is a very special day, because lord krishna was born on same day and we celebrate janma aashatmi so i devote this sketch in the pray of lord . lord shiva. shiva in meditation by a little more whirl. shiva_victory_pose. shiva . shahrukh khan sketch from the movie chak de india chak de india, shahrukh khan,.

hey i am admin and you are looking at a rapid-fire art tutorial once you add light-weight and shadow to your drawings you can create your subject return to life by creating the illusion of kind and depth you'll build a flat line drawing jump right off the page in order to shade better you can need to observe three things pressure management the means to shade swimmingly and most significantly understand how light behaves i am gonna walk you through all three things and then we'll shade one thing together pressure control realistic shading is finished by creating a series of values ranging from light-weight to dark the harder I ironed down on the pencil the darker the strokes portraits displaying a restricted value vary can find yourself looking very flat whereas portraits with a wider value vary will pop to own smart pressure control apply shading from one finish of your volume to the opposite whereas pressing tougher and harder till the values get darker bit by bit in our own way to practice is to draw a protracted rectangle and divide it into several squares fill the squares from right to left start with the darkest value you'll be able to probably make and work your way towards the light-weightest it is important to maintain a uniform pressure between every back-and-forth stroke or every individual stroke this may take some practice and concentration to develop the motor memory form if you are inquisitive about the tools i take advantage of and want to learn additional about the various pencil varieties verify the link below some tools can make shading easier for you however you completely don't need any special pencils to get started as a result of you can draw and shade realistically with just about anything that may create light to dark marks here let me show you i'm progressing to draw using this random stick I found in my kitchen once it's burnt I will use it a bit like a regular pencil my point is that any old pencil can do there's no reason why you cannot start shading these days very the foremost important thing is simply to begin a way to shade smoothly to shade smoothly try Associate in Nursingd eliminate major gaps between your strokes whereas maintaining good pressure control currently it's tough to eliminate gaps if your pencil is sharp so what you'll be able to do is wear the pencil down till the tip is dull or use the side of the LED to draw therefore your strokes square measure thicker if your shading a large space and want to avoid these dark stripes avoid using your writing grip whereas pivoting at the radiocarpal joint instead use an overhand grip and pivot from your elbow and shoulder to attain much longer strokes simply keep in mind to stay those strokes close eliminating gaps which will build your drawing look unsmooth understanding light have you ever tried shading one thing over and over while not it wanting even on the point of your subject for most beginners shading is maybe a guessing game that is wholly what it absolutely was for me till I learned some basics concerning light things just started making additional sense knowing wherever to correctly add light or shadow can make a really huge difference

how realistic your artwork can come upon i'm getting to use a sphere to suggests the different elements of light because the patterns square measure a lot easier to show than a fancy form like a nose for example here we've a noticeable wood attached a light supply returning down from the top left we have two distinct sides the light aspect that is facing the light source and therefore the shadow side which is turned away at the sting of our shadow we've one thing called a core shadow that is a dark strip running along the boundary between the two sides the core shadow is most visible on a white table as a result of white is highly reflective light rays come back down bounce off the table and illuminates

the shadow aspect of the ball feat a dark band thus as you'll be able to see we've two forms of light-weight direct lightweight and mirrored light-weight that is why shadows ar seldom all black there are numerous things within the setting that lightweight can mirror off of walls nearby objects or maybe mud particles floating around within the air do keep in mind that black surfaces absorb light so in this example the core shadow isn't any longer visible going back to the image of the nose can you tell which aras square measure lit by mirrorions and wherever the core shadows square measure as mentioned earlier lightweight will reflect off of the many things in the atmosphere however they have a troublesome time bouncing their approach into tight areas such as the area where the ball touches the table this can be known as an occlusion shadow and this is a forged shadow that seems when a kind blocks light from reaching another during this case the ball is obstructing light from reaching the table the forged shadow can tell you where the light supply is returning from all you have got to try and do is trace the sides against your object what percentage solid shadows are you able to realize on the nose let's progress to the light side of the ball on this side there are only 3 things i need to signifies

there's the core light which is the space facing the sunshine directly then there is the high light that is actually a reflection of the sunshine supply this is often the brightest point on an object the edges will appear dotty matte surfaces like this wooden ball or hard on shiny surfaces such as a plastic ball Associate in Nursingd as unintuitive because it appears the high light-weight can amendment position reckoning on where you're standing the previous issue our mid-tones or half-tones mid-tones are the darkest values on this side of the ball wherever the edges begin falciform away from the sunshine supply these areas receive less and fewer light the a lot of the angle away can you indicate the core light highlight and mid-tones on the nose shade with me let's shade an apple together while not staring at any reference pictures with our basic

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